Jade is the most dominant symbol of Jade City. Most of the characters wield jade; the powers it gives them define their personalities, status, and ability to lead.
Kekonese culture revolves around jade’s religious significance. In fact, the term for jade warriors—Green Bones—comes from a Deitist origin story about jade:
In the old Abukei myths […] the First Mother goddess, Nimuma, fell into the ocean and perished from exertion after creating the world. Her body became the island of Kekon, and the veins of jade that ran under these mountains were her bones. Her green bones (136).
This mysticism is reflected not only in legendary lore, but also in the religious practice of the novel’s present, particularly through the penitents. These figures wear jade, but refuse to use its magic; moreover, committing violence in their presence is taboo and incurs divine excommunication.
Jade also represents political power and status. Wearing it implies high birth—since only those trained at special schools can wield its magical powers. The quantity of jade an individual wears is a public declaration of importance. When Anden meets Ayt Mada, the Pillar of Mountain, he notes that her jade reflects her position and her clan’s nationwide reach:
[S]he appeared ordinary, except for the spectacular amount of jade running up both her arms. Mounted in coiling silver bracelets that twined up her forearms and biceps like snakes, there must have been at least a dozen stones on each arm. So much jade, worn so unpretentiously—Green Bones had no need for any other symbol of status (93).
Ayt Mada is the most powerful woman in Kekon, and her presentation of jade shows it.
Finally, jade symbolizes combat prowess and skill. Part of the reason Lan forces himself to put on Gam’s jade after besting him in a duel is to signal his physical strength during a time of No Peak’s waning influence. A Green Bone is only as good as the amount of jade they can tolerate wearing. Lan is very aware of this, so he risks jade overload and SN1 addiction and overdose to convince the city that he is just as much of a leader as Ayt Mada.
The talon knife is one of the two primary weapons used by Green Bones in Kekon. Unlike the moon blade, which is a finesse weapon closer to a sword, the talon knife is a short blade that is deadly in very close combat. Both blades represent the power, discipline, and training it takes to make the perfect warrior, but the talon knife’s hand-to-hand nature marks those who use it as particularly fearless:
The Kekonese talon knife is a hooked, double-edged four-inch blade used for slashing, puncturing, hooking, and controlling the joints. Anden had seen Hilo’s weapon; it had three jade stones set flush in the handle and was made of the same Da Tanori steel as the best moon blades, but unlike the moon blade, which has always been the quintessential Green Bone weapon, the talon knife is the tool of the street fighter (465).
Hilo, who is quite apt with a talon knife, uses it during his death of consequence to kill multiple Mountain men.
The talon knife’s jade, set into its hilt, giving its wielder extra power, making each strike stronger and faster. Its use by street patrols makes it newer, less traditional than the traditional Green Bone moon blade. Unlike that weapon, the talon knife is for the modern era of city warfare. The fact that new reigning Pillar of No Peak prefers the talon knife to the moon blade shows that this clan is finally ready to jettison those aspects of Green Bone culture that have tied its hands in the past. Just as Hilo appoints Shae, a woman, to be his Weather Man, so too does he use the talon knife—neither fully according to aisho, but both much more powerful and flexible for their pragmatism under contemporary concerns.
There are many references to mountains in Jade City, most notably in the names of the two clans fighting over Janloon: No Peak and Mountain. The motif of mountains references the cultural significance of mountains in Kekon, which are important in Deitist belief as a representation of human progress toward a reunion with heaven. During Kekon’s colonial period, the clans were united as the One Mountain Society, a rebel force that fought for Kekonese independence from the Shotarian Empire. Kaul Sen and Ayt Ygontin, the founders of the two clans, were instrumental leaders of the movement. They took their inspiration from the founding myth of Kekon:
Jenshu and his clan arrived on a lush and unspoiled island. Impressed by his dedication and piousness, Yatto, the Father of All, spoke to Jenshu, who was by now an old man, and led him into the mountains where he found stones of jade: the remains of the divine home once meant for humankind. A gift from the gods (275).
After the splintering of the clans, No Peak and Mountain remained Green Bone organizations; they took on the task of protecting Kekon and jade. Their names reference the unlimited power jade can give and remind them of their purpose. The image of immense height that both names evoke also supports the notion that there is no limit to what they can do. No Peak especially represents the idea that no matter how high they climb, there will be no peak to reach, meaning that their work is never truly over.
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