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26 pages 52 minutes read

Jenny Offill

Dept. of Speculation

Jenny OffillFiction | Novel | Adult | Published in 2014

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Chapters 33-46Chapter Summaries & Analyses

Chapter 33 Summary

Content Warning: This section of the guide includes discussion of death, suicidal ideation, cursing, and sexual content.

One day, the husband accuses the wife of putting them through too much. The next day, the girl demands that he go for a walk with her, which the wife doesn’t discover until she and the husband meet up in the park to further discuss their situation. The wife silently invents jokes about a husband, wife, and mistress to amuse herself.

Chapter 34 Summary

The wife starts reading a new book on civilization. She also reads studies of “the pain involved in romantic breakups” (135). Despite their heartbreak, she and the husband sometimes hold hands in bed. Meanwhile, the wife meditates on lines from Yeats and Keats. One day, she accuses the husband of turning her into a cartoon. She still doesn’t know how to make sense of their situation and struggles to field her married friends’ questions. She usually either cries or shrugs when they mention the husband’s affair.

Chapter 35 Summary

The wife realizes that she doesn’t want her marriage to end. Sometimes she imagines having sex with different people, but she’s good at controlling herself. Sometimes her friends ask her if she has a secret life, but she can’t think of any secrets she’s keeping that aren’t banal.

After some time, the wife makes a confession to the philosopher. She admits that even if her husband leaves her for the girl, she’ll count herself lucky that she got to share a few good years with him. He seems to understand, and they cry together. Meanwhile, she continues reading the adultery book and discussing her situation with her sister, who she finally goes to see in London. While there, she writes a letter to the husband, using their old return address. One day, her sister asks about the husband’s past. The wife admits that he’s never experienced true unhappiness or difficulty, which the sisters agree might be the reason for his affair.

Sometimes the wife wonders if she’s invented this whole story. She could be living in an alternative reality.

Chapter 36 Summary

The wife returns from her trip. Everything back at home makes her think about the husband and the girl. Then one day, the wife and husband meet in the park, and the husband insists he wants a trial separation. The wife tells her therapist, who recommends getting a divorce instead. She also continues talking to the philosopher about her situation. He is back in the city, and they start spending more time at the philosopher’s house again. He recently lost his brother, and they discuss the brother’s death and the philosopher’s grief.

Chapter 37 Summary

One night, the wife and husband get into a fight. The wife leaves and spends the night at a hotel. She feels detached, like she’s watching herself do everything. She texts the husband to tell him where she is and spends the night crying and restless.

The next morning, she returns home. The husband is still asleep. When he wakes up, he accuses her of leaving him and then leaves the house himself. Despairing, the wife calls the babysitter and invites the philosopher over. The wife silently understands her husband’s situation, as he’s caught between two women and what each of them wants.

Chapter 38 Summary

The wife meets up with her ex-boyfriend at the park. The wife remembers what she liked about him, but the dynamic changes when she reveals the truth about her marital situation. They say goodbye, and the wife knows they won’t see each other again.

Chapter 39 Summary

The wife considers admitting herself to the hospital. She feels uncomfortable around sharp objects and worries about hurting herself. She tries to act normal at the playground around the other mothers but has a hard time interacting. She doesn’t go to the hospital because she’s afraid she’ll never leave if she does. Meanwhile, she talks to her sister more often. The sister suggests she, the husband, and their daughter go and stay at her family’s house in Pennsylvania. She thinks getting out of the city will help.

Chapter 40 Summary

The wife accepts her sister’s offer. She and her family travel to Pennsylvania. While there, the wife imagines becoming an art monster again. Meanwhile, she hides money around the house and struggles to feel energized. Some days she’s better at noticing the weather, insects, birds, and trees. She and her family eventually settle into this country lifestyle.

Chapter 41 Summary

The wife tries to change her attitude towards the husband. However, she finds his Midwestern nature suddenly impossible to ignore. Some nights she feels differently, and they sit together in the yard. One night, he kisses her. She hears the bug zapper going off behind them.

Chapter 42 Summary

The wife and husband start to worry about their daughter because she misses the city. On her birthday, they give her a puppy. She falls in love with the dog and seems better thereafter. However, the wife still feels upset. Some nights, she has to run out into the yard and flap her hands to feel better. Eventually, she starts taking medication for her anxiety.

Chapter 43 Summary

The wife claims a room in the upstairs of the house where she begins to write a new book. Meanwhile, the daughter adjusts to life in the country. The wife and husband still sometimes fight, but the wife feels less distraught over time.

Chapter 44 Summary

One day, the wife and husband bathe and care for the dog together. Another day, the husband starts teaching the daughter piano. Another day still, the husband writes a few songs about outer space for the wife. Meanwhile, the wife writes to the philosopher, works on her book, and basks in the beauty of her new environment.

Chapter 45 Summary

The wife and husband watch the weather outside the window. The husband makes a fire. At dinner, he peels an apple for the daughter in one stroke. Later that night, the wife grades papers and encounters the same image—a father peeling an apple for his daughter—in one of her student’s stories. The husband admits he wrote it and slipped it into her pile. The daughter enjoys the outdoors. The wife watches her husband sleep, stroking his hair.

Chapter 46 Summary

The narrative shifts back into the first-person point of view.

The narrator and her family enjoy the start of winter. One morning, they wait out in the snow for their daughter’s bus. Watching her get onto the bus, the narrator deems the scene art.

Chapters 33-46 Analysis

The final chapters of the novel centralize the narrator’s work to reconcile her wants and needs as an individual with her marriage and experience of motherhood—narrative dynamics that further the novel’s themes of The Fragmentation of Identity in Marriage and Conflict Between Motherhood and Personal Aspirations. Ever since the narrator discovered that her husband was having an affair, she has felt dislocated from her life, her reality, and herself. Even her frustrations with domesticity, her disappointments surrounding motherhood, and her thwarted artistic dreams dissipate in light of her husband’s betrayal. In the novel’s final sequences, the narrator begins to emerge from her existential fog to reclaim who she is and what she wants to do with her life. Environmental, circumstantial, and vocational changes contribute to her personal journey to evolve her identity.

In these chapters, Offill incorporates more descriptions of the natural world to further her thematic explorations of the Search for Meaning in Everyday Life. The narrator’s decision to relocate with her husband and daughter to her sister’s Pennsylvania house offers her an escape from her urban lifestyle, following the novel’s consistent representation of the city as limitation and the country as liberation. This shift in the narrative setting also prompts a shift in the narrator’s interiority and tone, as well as the narrative atmosphere and mood. As soon as she and her family “[move] to the country,” the narrator can begin “planning a secret life,” within which “she is an art monster” (161). With her “art monster” reference, the narrator connects to her earlier self in memories at the beginning of the novel, illustrating that she is already reconnecting with that part of her identity.

While it does take time for the narrator to adjust to her new rural environs, over time her altered external surroundings begin to affect changes within her. Repeated images of her driving “off onto a country lane” (161), walking out into the fields, shepherding her daughter in the woods, and studying the insects, wildlife, flowers, and weather patterns evoke notions of relaxation and curiosity. Most importantly, the natural world reawakens the narrator’s creative mind—a phenomenon that reminds her how much meaning she once derived from the written word. The passage where the narrator describes her newfound interest in the region’s birds highlights this shift: “She is trying to learn about the birds. She has seen robins and sparrows and wrens. A green-throated hummingbird. She wants to know the name of that black bird with the red wings. She looks it up. It is a red-winged blackbird” (173). This passage has an inquisitive and alert tone, which enacts the narrator’s newfound sense of wonder and illustrates how she is looking outward now, rather than inward, as she has done for most of the novel. Furthermore, birds are archetypal symbols of freedom; when the narrator studies them, she is studying how to be free in personal, emotional, and creative aspects. Because this change is affected almost solely through the move from the city to the country, the narrative implies that place can impact a person’s sense of meaning, understanding of self, and interpersonal relationships.

Offill also incorporates a new series of family-oriented scenes into these chapters to capture the complexities of married and family life. Examples of such scenes include the narrator and husband “sitting in the yard,” the wife braiding “the daughter’s hair,” the husband “read[ing] to her from Anne of Green Gables,” the narrator and husband taking care of the puppy, as well as the family watching the weather patterns through their windows, building fires together in the winter, and sharing dinner as a family (166, 167). These images evoke notions of comfort and familiarity. Outside the context of their former city life, the narrator, the husband, and the daughter begin to rediscover themselves as a unit. They create new habits and rituals that offer them pathways to overcoming their fraught past. For the narrator, these familial experiences are particularly significant because they’re now life-affirming rather than entrapping and restrictive. The change, the novel implies, is because her domestic responsibilities are now shared. She has time to work on her writing (as noted in the scenes where she sits in her upstairs room jotting notes for her new book) and time to enjoy being with her husband and daughter. The novel thus suggests that motherhood and marriage can offer an individual fulfilling experiences if they are held in balance. The narrator is able to reconcile with her family life once she reclaims her autonomy and rediscovers her passion for writing and sense of authentic self, incorporating all the disparate parts of her identity.

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By Jenny Offill